ronin-3-header.jpg
The first thing that I have to say is that this didgeridoo is a pleasure to play. It is a very well balanced medium deep instrument in which everything works. This type of response always gives player a sense of satisfaction and is very inviting for playing. [...]
Atmos is a didgeridoo that has a mellifluous, warm, rich baritone voice that is able to charm any chakra at will. Do not take that statement easily, it that kind of flowing honey that takes you away in the moment as it fills the inner and outer space. It is the feeling of breath and sound as one[...]
The Dream Spirit is a didgeridoo inspired by the original Spirit, my personal didgeridoo that I use both for my meditation practices and fast playing. It is an ultra-responsive high backpressured didgeridoo that doesn’t suffer from the common flatness problem[...]
Dubron is an oaken didgeridoo spanning 211cm of pure C power and agility. Our latest golden class didgeridoo is a result of a search for what is beyond power of Moytze and what is still a compact and highly articulated didgeridoo. Dubron is a didgeridoo which is very easy to play for its size, as the backpressure is fairly high [...]
A blend of contemporary tongue articulation practice and traditional and avantrad textures. The nature of this beast is that it likes to be pushed and then it will truly shine. Amazingly high overtones, amazing sensitivity to all tongue movements. Superloud- good for busking, very rich and precise – good for recording! [...]
We present you Nirvana didgeridoo, a one piece eucalyptus instrument that is hybrid in its qualities. A mixture of the greatest instruments I have ever tried, and used. The three souls of Nirvana will allow you to play more punchy, more responsive and more textured that ever before.[...]
This didgeridoo we made in search of good closed tube response and good aircode response. The result is quite a soft, comfortable didgeridoo to play. There is something extraordinary about the easiness the lips maintain tension on the drone. It is a correlation between the mouthpiece size which is fairly small and backpressure which is fairly high for the key. ” [...]”
For a long while I have been specializing in the art of long didgeridoos. At some point I have realized my skills for making a shorter didgeridoo are lagging. So I chose a very moderately sized log of an unknown (to me) Australian Eucalyptus species and I said to myself. OK, is it possible to bring this log to the moment where precision, power and aliveness meet? [...]
I wanted to combine almost uncombineable. I wanted to combine the Stinkirum kind of kick with this speed of articulations. You see this two aspects are already getting one against the other. As it is difficult to achieve the fullness of the “kick” with very small volume…. Next… to make things even more interesting I wanted to make a deep didgeridoo that could read very well the articulations of traditional way of playing. “[...]”
This is one didgeridoo that I have waited for a long time. It is the first one of the super hard wood, and so it is the first one to give me some answers from that kingdom… Let me tell you a bit about the making of this didgeridoo. Orkor is very hard and very elastic wood. Has very nice smell. It was difficult to drill, but not as difficult as we imagined… The inner geometry of this didgeridoo is more tight than what you could find in recent Duendes.
duende didgeridoo 2017.   ●   www.lapaine.com   ||   www.druydmusic.com   ●   powered by: wordpress   ||   graphic-art by: Danka   ||   made by: pootzko