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This is one of our Epic ones. One of two to be more precise. A sibling to Oldhar. Class of Avatar. Words fail me in trying to present my perception of this kind of didgeridoo. ArcheoAnimA was created in the time of Oldhar, started a bit before and ended a bit after. So it is probably the didgeridoo we have been actively doing the longest… This was our journey into extreme… [...]
Few didgeridoos stir the energies in the house of Duende Didgeridoo so much and then disappear so quickly as Zmayek. Zmayek was intended to be done as Moytze II, only with several changes. Firstly, harder wood was chosen so it can reach higher into frequencies of presence. Secondly, whole bore was made bigger, so there is more bass and sub bass”[...]”
Special didgeridoos are always difficult to describe. But “Oldhar the Celestial Traveler” puts this quest to a whole different level. 8 months of intensive making, thousand changes and experiments, thousand stones and little details, thousand hours, thousand prayers, thousand thrills… this didgeridoo is all in thousands compared to ordinary didgeridoo experiences [...]
Extreme Dream E was one of the most used Duende didgeridoos in my own Spring/Summer tour 2010. It was so because of its especially nice toot relations, and magnificent playability. The EDE was made as an experiment of new didgeridoo sound with good playability as an important added condition. Sound was unexpected in certain aspects. I was amazed by the amount of detail in higher mid frequencies. [...]
It is not easy to fully present the exceptionality of this didgeridoo. It is a completely different view to sound and playability of didgeridoo in a way that even brings you closer to the roots. At the same time this is a didgeridoo which teaches you again how to circular breathe, how to control your body and all the natural didgeridoo aspects on one side, and on the other side new sound possibilities… [...]
A 180+cm didgeridoo in D was always rather desirable in didgeridoo world. So we had to take a peek into what is there, and one nice piece that we found was a semi-opened channel, strongly conical, moderately big instrument with strong and clear drone and nice toots. The sound of this instrument is very convincing. Loud, clear, easy vocals, easy toots, strong dynamics… [...]
This didgeridoo is an example that harmonious proportions, and inner sense can put inside a tube much more sound than it appears on the outside. This particular instrument had specially good genes for this as it has a really nice old hard wood as well as design taken from the famous C which is played on Stinkirum, Lake of Awareness, The Spatialist, Valso de Sufokato, Point in Line… [...]
This was the first eucalyptus trial of how much of deep sound can be put in really small package. The result is quite expected. A bit more than expected! But let us see what we’ve got. Sound of this didgeridoo is mostly in mids and highs- compared to other didgeridoos of course, because the basic note of (very much almost) every didgeridoo is bass… [...]
The reason into venture to make this didgeridoo was further exploration of the “Archangel” shape, on smaller instruments. In this case, this exploration was very rewarding. Sound of this didgeridoo is so thick it can move a brick, so warm, so full, so dark, it is oozing with character and it is beautiful to play and look. You will recognize the effect big chamber of this didgeridoo has on the sound right away… [...]
This didgeridoo was for me, one of first proofs that there is a world beyond known didgeridoo instruments. This world was formed by Ãœber-didgeridoos, avatars, god-given instruments that blew away limits of possibility of didgeridoos, as well as all prejudices how didgeridoo should or can sound. The sound and playability of this instrument is a wonder to me… [...]
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