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I wanted to combine almost uncombineable. I wanted to combine the Stinkirum kind of kick with this speed of articulations. You see this two aspects are already getting one against the other. As it is difficult to achieve the fullness of the “kick” with very small volume…. Next… to make things even more interesting I wanted to make a deep didgeridoo that could read very well the articulations of traditional way of playing. “[...]”
This is one didgeridoo that I have waited for a long time. It is the first one of the super hard wood, and so it is the first one to give me some answers from that kingdom… Let me tell you a bit about the making of this didgeridoo. Orkor is very hard and very elastic wood. Has very nice smell. It was difficult to drill, but not as difficult as we imagined… The inner geometry of this didgeridoo is more tight than what you could find in recent Duendes.
Protozoa is a didgeridoo… that was an intentional little surprise. The surprise part is this beautiful shimmer it has over what would already be a rounded didgeridoo sound. First of all, Protozoa has very detailed sound. Somehow it got this shimmer, the thick roughness in high frequencies. More than what I expected, especially regarding the fact that it is not made of extremely hard wood.
This is one of our Epic ones. One of two to be more precise. A sibling to Oldhar. Class of Avatar. Words fail me in trying to present my perception of this kind of didgeridoo. ArcheoAnimA was created in the time of Oldhar, started a bit before and ended a bit after. So it is probably the didgeridoo we have been actively doing the longest… This was our journey into extreme… [...]
La Tulipe Noire brings romance back into the world of didgeridoos.
It is gentle but powerful, big but elegant.Standing 239cm tall, thin with curves and knots it now seems impossible to drill. But it once was. It is a thin walled didgeridoo chiseled to resonate. The power of this didgeridoo overwhelms a small room “[...]”
Few didgeridoos stir the energies in the house of Duende Didgeridoo so much and then disappear so quickly as Zmayek. Zmayek was intended to be done as Moytze II, only with several changes. Firstly, harder wood was chosen so it can reach higher into frequencies of presence. Secondly, whole bore was made bigger, so there is more bass and sub bass”[...]”
Special didgeridoos are always difficult to describe. But “Oldhar the Celestial Traveler” puts this quest to a whole different level. 8 months of intensive making, thousand changes and experiments, thousand stones and little details, thousand hours, thousand prayers, thousand thrills… this didgeridoo is all in thousands compared to ordinary didgeridoo experiences [...]
Didgeridoo making process can be a routine, but it can also be a mystical journey. Sometimes there is only a thin line in between. What makes this thin line? A mistake, of course. So it was a very lucky and precious mistake that made La Fluanta. It resulted in quite an extreme resonator box. Which finally resulted in quite an extreme bass and perfect fifth for a first toot. It opens up a whole new world [...]
Extreme Dream E was one of the most used Duende didgeridoos in my own Spring/Summer tour 2010. It was so because of its especially nice toot relations, and magnificent playability. The EDE was made as an experiment of new didgeridoo sound with good playability as an important added condition. Sound was unexpected in certain aspects. I was amazed by the amount of detail in higher mid frequencies. [...]
Flying Tree Dragon is an example of such an extreme in classical conicaly shaped didgeridoo that it is very hard to describe without letting you try it. What does it mean „extreme classical conical shaped didgeridoo“? It means that FTD follows the „logic“ of relatively well known didgeridoos that have flare. But flare of FTD is so deep inside and so large outside that it breaks certain laws of playing… [...]
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