Here, we do not have the same challenge with loudness of didgeridoo as in acoustic performance, since the sound is amplified. However, loudness still plays an important role. If you care about your sound on stage, you will most probably want to use condenser microphones. Condenser microphones have one problematic characteristic on stage, and that is causing more feedback. If your signal is stronger, i.e. you have a louder instrument, the gain on your microphone can be lower, and feedback is less probable. This is one reason why a louder didgeridoo can sometimes be more appropriate even for PA performance.

It is possible to approach the dynamic range two ways. One is to put a compressor to your signal chain. And the other, which offers even more possibilities, is to vary distances between the didgeridoo and its microphone, like many vocalists often do. Read more about it in the article on live microphone positioning.